《PIGS IN THE RIVER》是重塑雕像的权利演唱的一首歌曲。

The pigs in the river, don't be ashamed of you.

The pigs in the river, don't be ashamed of you.

My right hand asked, should I raise for white?

My left hand asked, should I raise for black?

I really don't care which side you're raising for.

I wanna wait for the train to come.

We are the pigs in the river.

We are the pigs in the river.

The big man comes with polished shoes.

He looks like a kind of the man who's living in the woods.

You are pigs in the river.

You are pigs in the river.

You are pigs in the river.

The pigs in the river.

I heard a perfect stranger's voice over secret wire ,

It said your idol is paranoid with a catchy smile.

When the rain is coming, a rumor is spreading.

Across all the different roily sound.

I hate my indecision so as I love it .

The pigs in the river.

《Pigs in The River》是支极酷的反乌托邦MV，由来自委内瑞拉的视觉艺术家Victor Morles创作完成。对迷幻场景化风格的长期专注与常年旅居世界各地的经历，使得这位“第三世界“视觉艺术家对单曲的诠释可以用“无缝贴合”来形容。充满行进感的3D画面，如同低配版Temple Run，颇具暗讽意味，与重塑式律动华东戏谑的唱腔相得益彰。阴郁氛围和律动下，魔幻的场景沿着吊诡的歌词层层递进。

城市的街道变为湍急的蓝色河流，乐队三人开着红色汽车疾驰其中，不断在人与猪之间切换，直至与无数的猪一同坠下瀑布。而此刻，在堆积成山的猪中，猛然出现一只“叛逆者”，仿佛被注入超能力，身披金色光芒，脚踩火焰，逆流而上，无所畏惧的在空中穿行，奔向天空中的巨眼。

在这个充满寓言色彩的MV里，我们看到的是人还是猪？如果说无数猪从功放喇叭口喷涌而出，砸入河水的画面诡异得让人毛骨悚然，而那只”特立独行的猪“使你松了一口气。那么现实里，谁是“猪”，谁是人，谁又是“超能力猪”呢？先思考吧，别着急给答案。

波兹曼的《娱乐至死》并非将罪名加予“娱乐”，而是阐述过度娱乐化的时代里，“失去思考能力”的危机。“娱乐”从来都没有错更不会至死，让我们从人走向人肉甚至猪肉的也不是“娱乐”，但“娱乐”却也从不是我们忘记思考的借口。作为重塑雕像的权利“INPUT & OUTPUT”计划的第二首支影像作品，《Pigs in The River》的寓言，在“娱乐至死”背后，还有什么更深的寓意，或许是时候该好好想想了。